Feet of Clay exhibition of objects created by Artists Uģis Albiņš, Andris Eglītis, Elīna Vītola and material particles interacting within conditions favorable to entropy on view in Madona, MABOCA gallery Visuma Centrs 2.
Generative paths of visible objects move at various states, emerging as harmonious morphologies where each intention holds its place in the process of evolution, creating cyclical rhythms bound to the very essence of origin. Creators vs affecters is not divergent and linear. It is dynamic field with diverse paths swirling manifestations working with different elements and on different axes … applying different forces and various levels of reducing forms to statistical entities. Intention is the support of process of mattering embedded in material codes as units of existence, eternally returning to intent and emerging from intention once again.
Text by Christian Kerez for Swiss Pavilion at 2016 Venice Biennale (Christian Kerez. Deep Adress & Desert Dust, Digital Printing Powdern Beds to the Hyper materiality of Dustism. Swiss Pavilion. Venice Biennale 2016. Arch+ Release Architecture: Incidental Space.) has been translated, optimised, affected and supplemented by supports by the artists.
Curated by Margrieta Griestiņa
Photography by Normunds Griestiņš, Elza Lapiņa and Elīna Vītola